Tom Flint's oil painting on board: A luminous golden moon glows as the focal point, achieved through layered, translucent colours.
Tower Bridge at night under a large, golden moon, likely with reflections on the River Thames below.
Tower Bridge at night under a large, golden moon, likely with reflections on the River Thames below.
Tom Flint's oil painting on board: A luminous golden moon glows as the focal point, achieved through layered, translucent colours.
Tower Bridge at night under a large, golden moon, likely with reflections on the River Thames below.
Tower Bridge at night under a large, golden moon, likely with reflections on the River Thames below.

Tower Bridge with Golden Moon

£550.00

Oil on board

21.5 cm x 16 cm

Illustrative framing suggestion only

Ships in a box

Executed in oil paint on board. The piece developed organically over an extended period, often worked on during evening sessions. It involved a distinct process of building up successive layers of paint, applied iteratively. While an initial underpainting established the core composition, the painting's final form emerged through this meticulous layering of both colour and varnish. My primary intention was to capture the unique glow of the golden moon. This was achieved by carefully applying translucent layers of paint and varnish over one another, creating an interplay that establishes a profound subtlety in tonal value across the entire composition, from foreground to background. This technique allows the luminous golden moon to serve as the undeniable focal point of the work.

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Oil on board

21.5 cm x 16 cm

Illustrative framing suggestion only

Ships in a box

Executed in oil paint on board. The piece developed organically over an extended period, often worked on during evening sessions. It involved a distinct process of building up successive layers of paint, applied iteratively. While an initial underpainting established the core composition, the painting's final form emerged through this meticulous layering of both colour and varnish. My primary intention was to capture the unique glow of the golden moon. This was achieved by carefully applying translucent layers of paint and varnish over one another, creating an interplay that establishes a profound subtlety in tonal value across the entire composition, from foreground to background. This technique allows the luminous golden moon to serve as the undeniable focal point of the work.

Oil on board

21.5 cm x 16 cm

Illustrative framing suggestion only

Ships in a box

Executed in oil paint on board. The piece developed organically over an extended period, often worked on during evening sessions. It involved a distinct process of building up successive layers of paint, applied iteratively. While an initial underpainting established the core composition, the painting's final form emerged through this meticulous layering of both colour and varnish. My primary intention was to capture the unique glow of the golden moon. This was achieved by carefully applying translucent layers of paint and varnish over one another, creating an interplay that establishes a profound subtlety in tonal value across the entire composition, from foreground to background. This technique allows the luminous golden moon to serve as the undeniable focal point of the work.